Lomex Gallery owner and operator Alex Shulan discusses his early days of buying Bitcoin; what it means to say “you can only be an artist once”; the big post-COVID art bubble and how it popped; dangers of art world speculation; Dean Kissick’s Harper’s piece; the difference between museums and galleries; controversies around Chris Ofili at BAM and Andre Serrano’s “Piss Christ”; the LD50 (which Noah misidentifies as LD40) “alt-right” art show controversy; H. R. Giger; Remilia Collective, NFTs, and collisions between art and tech; Jon Rafman, Jordan Wolfson, Seth Price and the meaning of “the fine art world”; why people in tech generally don’t want to buy fine art; why fine art is a special category of goods; Luigi, healthcare, and murder; how the tech world and the art world can be in better dialogue; why Alex hates Beeple; how Henry Darger differs from the Bored Ape Yacht Club; Warhol, Jeff Koons, and the aesthetic use of an art object’s commerciality; who’s more of a real artist—Alec Monopoly or George W. Bush?; and Jeffrey Epstein’s taste in art (Noah misidentifies a painting of Clinton as a painting of Bush).
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Mars Review of Books Podcast
Live from Pubkey in New York, Mars Review's Editor in Chief Noah Kumin talks to guests about literature, politics, history and current events with a flippancy and verver that is, let's face it, rather winning.
Subscribe at marsreview.org
Live from Pubkey in New York, Mars Review's Editor in Chief Noah Kumin talks to guests about literature, politics, history and current events with a flippancy and verver that is, let's face it, rather winning.
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